Ori Drumer’s three films, After Mondrian, After Kandinsky and After Klee present adaptations of three abstract artworks: Transverse Line (1923) by Wassily Kandinsky, Fugue in Red (1921) by Paul Klee, and Composition in Lines (1917) by Piet Mondrian. Drumer breathes motion into these paintings using 3D animation. Already in the original work, the painters attempted to create a feeling of movement. Hence time and motion have potentially existed in these paintings from the very start. Drumer’s works draw a parrallel between painting and music, compositions and rhythms, and colors and motion in the spirit of early 20th century German avant garde films.