With her patient camera, Shevaun Mizrahi makes a portrait of not only the elderly residents of a retirement home in Istanbul, but also of time itself, which seems to stand still within the building’s walls. An Armenian woman describes family memories from the 1915 Armenian genocide; an old charmer tells of his sexual escapades while […]
With her patient camera, Shevaun Mizrahi makes a portrait of not only the elderly residents of a retirement home in Istanbul, but also of time itself, which seems to stand still within the building’s walls. An Armenian woman describes family memories from the 1915 Armenian genocide; an old charmer tells of his sexual escapades while […]
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